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07/10
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Manfrotto 130-38 Quick Release Plate - Flat Hexagonal, 3/8" Screw130-38 Quick Release Plate - Flat Hexagonal, 3/8" Screw
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07/10
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Manfrotto 130-14 Quick Release Plate - Flat Hexagonal, 1/4" Screw130-14 Quick Release Plate - Flat Hexagonal, 1/4" Screw
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07/10
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Hoya STEP UP RING - 46mm-52mm Hoya STEP UP RING - 46mm-52mm
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07/10
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Hoya STEP UP RING - 46mm-49mm Hoya STEP UP RING - 46mm-49mm
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07/10
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Hoya Close Up SET 1+2+4 Filter - 77mm Hoya Close Up SET 1+2+4 Filter - 77mm
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Price:
$131.00
inc GST within Australia
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Hoya 77mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 72mm Hoya Close Up SET 1+2+4 Filter - 72mm
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Hoya 72mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 67mm Hoya Close Up SET 1+2+4 Filter - 67mm
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Hoya 67mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Manfrotto 080 Monopod Pouch
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0.0500 |
Worn on a belt, this easy to use pouch offers support for the base of a Monopod.
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| weight |
0.0500 kg |
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| color |
black |
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07/10
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Hoya Close Up SET 1+2+4 Filter - 62mm Hoya Close Up SET 1+2+4 Filter - 62mm
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Hoya 62mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 58mm Hoya Close Up SET 1+2+4 Filter - 58mm
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Hoya 58mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 55mm Hoya Close Up SET 1+2+4 Filter - 55mm
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Hoya 55mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Manfrotto 056 3D Junior Photo Head - 3kg Load
| 056 3D JUNIOR CAMERA HEAD |
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Advantages:
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compact for easier carrying |
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simple, functional, no-frills |
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very flexible camera positioning |
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SUITABLE FOR:
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SLR cameras with short and/or light fixed-length lenses |
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A self-adjusting conical bearing locking system allows 360 rotation on both the vertical and horizontal plane. This is the ideal head for 35mm and light to medium format work. Camera attachment: 1/4" Optional Plates: 625, 323, 394, 357, 577.
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materials, design and construction techniques have been carefully selected to help save weight without sacrificing stability or strength |
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with a separate lock on each axis of movement, this head can be precisely adjusted, and panning/tracking can be achieved on any axis |
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by keeping the head and camera mounting plate as low as possible, the camera is kept safely closer to the tripod's centre of gravity for more stable support |
| height |
10.0 cm |
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| weight |
0.50 kg |
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| load capacity |
3.00 kg |
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| panoramic rotation |
360 |
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| color |
black |
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| material |
aluminum |
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| lateral tilt |
-180 / +30 |
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| front tilt |
-30 / +180 |
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| quick release |
no |
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| plate type |
fixed - with 1/4-20" screw |
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| attachment (bottom) |
3/8" female thread |
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07/10
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Hoya Close Up SET 1+2+4 Filter - 52mm Hoya Close Up SET 1+2+4 Filter - 52mm
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Hoya 52mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Canon CLI-521Y #521 Ink Cartridge - Yellow - For Canon iP3600/iP4600/iP4700/MP540/MP550/MP620/MP560/MP630/MP640/MP980/MP990/MX860/MX870 Printers
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07/10
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Canon CLI-521M #521 Ink Cartridge - Magenta - For Canon iP3600/iP4600/iP4700/MP540/MP550/MP620/MP560/MP630/MP640/MP980/MP990/MX860/MX870 Printers
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07/10
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Canon CLI-521GY #521 Ink Cartridge - Grey - For Canon MP980/MP990
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07/10
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Canon CLI-521C #521 Ink Cartridge - Cyan - For Canon iP3600/iP4600/iP4700/MP540/MP550/MP620/MP560/MP630/MP640/MP980/MP990/MX860/MX870 Printers
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07/10
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Canon CLI-521BK #521 Ink Cartridge - Black - For Canon iP3600/iP4600/iP4700/MP540/MP550/MP620/MP560/MP630/MP640/MP980/MP990/MX860/MX870 Printers
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07/10
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Canon PGI-520BK Ink Cartridge - Black
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07/10
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Hoya Close Up SET 1+2+4 Filter - 49mm Hoya Close Up SET 1+2+4 Filter - 49mm
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Hoya Close Up SET 1+2+4 Filter - 49mm
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 48mm Hoya Close Up SET 1+2+4 Filter - 48mm
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Hoya 48mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 48, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 46mm Hoya Close Up SET 1+2+4 Filter - 46mm
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Hoya 46mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 43mm Hoya Close Up SET 1+2+4 Filter - 43mm
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Hoya 43mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Hoya Close Up SET 1+2+4 Filter - 37mm Hoya Close Up SET 1+2+4 Filter - 37mm
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Hoya 37mm Close Up 1+2+4 Filter Set
CLOSE-UPs offer a world of new creativity. And with this close-up filter kit with filters in +1, +2, and +4 diopters you will be able to explore the macro photography world inexpensively utilising your current non-macro lenses. Simply attach the filters to the front filter thread of your lens and it is transformed into a macro lens. They can also be stacked to further increase magnification* Hint: Depth-of-field is shallow so use as small an aperture as possible,
- Sets come in 37, 43. 46, 49, 52, 55, 58, 62, 67, 72 and 77mm thread sizes.
- Includes +1, +2 and +4 filters and carry case.
* actual achievable magnification is dependent on the focal length and closest focusing distance of your lens.
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07/10
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Manfrotto 055V View Aluminium Tripod + 701RC2 Video Head Kit
- 182.1cm Max, 54.1cm Min, 71.1cm Folded, 3.1kg
| 701RC2,055V 055 VIEW ALU W/ 701RC2 KIT |
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3.1000 |
Similar in height to the 055MFV kit this aluminium equivalent provides the same outstanding performance at a slightly higher overall weight. The kit is designed for extreme outdoor use and is comprised of the 701RC2 fluid head and the 055V aluminum tripod.
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| closed length |
71.1 cm |
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| minimum height |
54.1 cm |
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| maximum height |
182.1 cm |
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| maximum height (with center column down) |
146.1 cm |
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| weight |
3.1000 kg |
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| load capacity |
4.0 kg |
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07/10
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Hoya CLOSE UP +4 Filter - 77mm
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07/10
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Hoya CLOSE UP +4 Filter - 72mm
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07/10
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Hoya CLOSE UP +4 Filter - 67mm
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07/10
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Hoya CLOSE UP +4 Filter - 62mm
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07/10
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Hoya CLOSE UP +4 Filter - 58mm
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07/10
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Hoya CLOSE UP +4 Filter - 55mm
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07/10
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Hoya CLOSE UP +4 Filter - 52mm
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07/10
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Hoya CLOSE UP +4 Filter - B50
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07/10
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Hoya CLOSE UP +4 Filter - 49mm
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07/10
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Hoya CLOSE UP +4 Filter - 48mm
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07/10
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Hoya CLOSE UP +4 Filter - 43mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 77mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 72mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 67mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 58mm
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07/10
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Manfrotto 055V View Aluminium Tripod + 700RC2 Video Head Kit
- 2-Way Fluid Head, 181.6cm Max, 53.6cm Min, 70.6cm Folded, 2.82kg
| 700RC2,055V 055 VIEW ALU W/ 700RC2 KIT |
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2.8200 |
Similar in height to the 055MFV kit this aluminium equivalent provides the same outstanding performance at a slightly higher overall weight. The kit is designed for extreme outdoor use and is comprised of the 700RC2 fluid head and the 055V aluminum tripod.
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| closed length |
70.6 cm |
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| minimum height |
53.6 cm |
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| maximum height |
181.6 cm |
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| maximum height (with center column down) |
145.6 cm |
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| weight |
2.8200 kg |
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| load capacity |
2.5 kg |
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07/10
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Hoya CLOSE UP +3 Filter Filter - 52mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 55mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - B50
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07/10
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Hoya CLOSE UP +3 Filter Filter - 49mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 48mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 46mm
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07/10
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Hoya CLOSE UP +3 Filter Filter - 43mm
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07/10
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Manfrotto 055TS Two Section Centre Column - for 055 Tripods
| 055TS TWO SEC.CENTER COLUMN F/055PRO |
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0.4580 |
This new centre column design allows to leave the head mounted on the centre column when switching between low angle and normal shooting position. The top section can be detached without any tools, by hand-unscrewing the knob at the bottom of the column. Available in silver and lack anodised finishing. 055TS: compatible with all 055 range of tripods, supplied as a standard with the 055PRO, 055MF3, 055MF4 and 458B. PAT. PENDING.
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| weight |
0.4580 kg |
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| color |
silver |
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| patent |
pat. pending |
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| material |
aluminum |
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| column cross section |
three-faceted |
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| section centre column |
2 |
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| column tube diameter |
28mm |
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| length |
124.0 cm |
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| attachment |
3/8'' screw |
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07/10
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Manfrotto 055MFV View Carbon Tripod + 701RC2 Video Head Kit
- Fluid Head, 179.1cm Max, 54.1cm Min, 71.1cm Folded, 2.8kg
| 701RC2,055MFV 055 VIEW CARBON W/ 701RC2 KIT |
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2.8000 |
This kit offers the best of both worlds: tall and lightweight carbon fiber legs with the feature-packed, heavy-duty 701RC2 fluid head. The kit is comprised of the 701RC2 fluid head and the 055MFV carbon fiber tripod.
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| closed length |
71.1 cm |
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| minimum height |
54.1 cm |
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| maximum height |
179.1 cm |
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| maximum height (with center column down) |
141.6 cm |
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| weight |
2.8000 kg |
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| load capacity |
4.0 kg |
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07/10
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Hoya CLOSE UP +2 Filter - 72mm
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07/10
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Hoya CLOSE UP +2 Filter - 67mm
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07/10
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Manfrotto 055MFV View Carbon Tripod + 700RC2 Video Head Kit
- 2-Way Fluid Head, 178.6cm Max, 53.6cm Min, 70.6cm Folded, 2.52kg
| 700RC2,055MFV 055 VIEW CARBON W/ 700RC2 KIT |
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2.5200 |
This is the ideal kit coupling overall light weight with maximum reach. This kit is designed for portability due to its carbon fiber construction and it has the extra reach to get your camera or scope up high. The kit is comprised of the 700RC2 fluid head and the 055MFV carbon fiber tripod.
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| closed length |
70.6 cm |
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| minimum height |
53.6 cm |
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| maximum height |
178.6 cm |
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| maximum height (with center column down) |
141.1 cm |
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| weight |
2.5200 kg |
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| load capacity |
2.5 kg |
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07/10
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Manfrotto 055MF4 Magfibre 4-Section Tripod
- NO Head, 165cm Max, 11cm Min, 54cm Folded, 2.0kg
| 055MF4 055 MAG FIBER TRIPOD 4 SCT |
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Advantages:
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compact for easier carrying |
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broad working height range from very low to very high |
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very flexible camera positioning |
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versatile product for all-round use |
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world-wide spares and service back-up |
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SUITABLE FOR:
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SLR cameras with short and/or light fixed-length lenses |
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SLR cameras with mid-long focal length lenses and zooms |
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spotting scopes and sport optics |
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outdoor use (protected against damp/cold and easy to transport on foot) |
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165.0 |
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black |
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2.00 |
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11.0 |
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54.0 |
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130.5 |
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7.00 |
Specifi cally designed for extreme outdoor assignments, this tripod uses the same construction as the 055PRO but uses different materials for the legs and all metal parts. Like the 055PRO, the 055MF4 has a three-faceted aluminum center column, which can offset the pressure of the locking system and the torsion caused while in the horizontal position. The legs are constructed of 1.2 mm carbon fi ber tube combined with magnesium die-casting, quick-action lever locking collars made of magnesium die-casting. Each leg can be set independently in one of four angle settings using the dedicated quick-action leg angle selector. The top spider is made of magnesium die-casting, and includes the clamping system for the dual position center column plus a built-in bubble level. To assure the best thermal resistance, all parts have been assembled using a proven pressure clamping technology that eliminates failure-prone glue joints for greater durability and in-the-fi eld serviceability. A hand-padded carrying strap, supplied with the tripod, can also operate like a hook to hang weights from in order to increase the stability of the tripod during shoots in extreme wind conditions. It is ideal support for all SLR analog/digital camera equipment, medium format cameras and spotting scopes modifi ed for digiscoping applications. PATENTED..
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leg sections use three-faceted tubing for greater anti-torsional resistance |
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anti-rotation tubing and leg collars make for a tripod (or monopod) that's easier and faster to open, position and close. Manfrotto uses several different types of anti-rotation system - on Magfiber and Digi series tripods, the ellipticalor three-faceted shape of the concentrictubes means they cannot rotate, while on round-tubed tripods small protrusions down the length of the tube keep sections perfectlyaligned |
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flip lever leg locks make opening, positioning and closing fast and easy. The tension of the locking mechanism is user-adjustable, and all partscan be easilyserviced or replaced. |
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split center column allows easy and fast ground-level work
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solid tripod/head plate has an industry standard 3/8" screw and three angled grub screws which stop the head from unscrewing accidentallyin use and also block unwanted panoramic rotation or play between tripod and head
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the built-in, carefully hand-set bubble spirit level helps make sure your horizons reallyare horizontal
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materials, design and construction techniques have been carefully selected to help save weight without sacrificing stability or strength |
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Manfrotto's carbon fiber tubing is popular among outdoor photographers because it's light in weight, but not everyone knows it's also more rigid and supports heavier loads than aluminum - giving it a double advantage. |
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lightweight magnesium is used for die-cast parts. Magnesium has a density of 1.74g/cm3 as opposed to aluminum's 2.70g/cm3 - a 35% reduction. Despite its lower weight, magnesium is more rigid than aluminum, and has the same strength per volume. |
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each of the legs can be set to a different angle of spread for more flexible, versatile positioning and to help keep camera equipment well-balanced over the tripod's center of gravity. |
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the patented PRO model has a unique design which allows the center column to be used horizontally as an extending arm, or vertically (both right-way-up and upside-down). When used horizontally, it can be turned through 360 around the tripod, and is useful for macro work, low angle shooting, extreme balance points and off-centre work. This also makes the tripod a helpful accessory for chair-bound photographers, who can sit beside instead of behind the tripod, therefore much closer to the camera viewfinder. |
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MagFiber tripods have three pre-set independent leg angles for positioning flexibility and good reach of all intermediate heights between the stated minimum and maximum levels The improved spring-loaded, easy to use step mechanism offers greater stability and security than the CarbonOne push-button system it replaces. |
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included carrying handle makes the tripod more comfortable to transport and stays conveniently and unobtrusively attached during use |
| closed length |
54.0 cm |
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| minimum height |
11.0 cm |
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| maximum height |
165.0 cm |
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| maximum height (with center column down) |
130.5 cm |
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| weight |
2.00 kg |
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| load capacity |
7.00 kg |
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| color |
black |
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| patent |
patented |
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| material |
carbon fiber tubing + magnesium castings |
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| leg cross section |
three-faceted |
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| column cross section |
three-faceted |
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| leg sections |
4 |
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| bubble spirit level (no) |
1 |
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| leg angles |
25, 64, 76, 90 |
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| centre column |
rapid |
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| section centre column |
2 |
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| column tube diameter |
28mm |
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| attachment |
3/8'' screw |
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| legs tube diameter |
29,2 , 24,8 , 20,4 , 16 mm |
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| suggested dolly |
127, 127VS |
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07/10
|
Hoya CLOSE UP +2 Filter - 62mm
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07/10
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Hoya CLOSE UP +2 Filter - 58mm
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07/10
|
Manfrotto 055MF3 Magfibre 3-Section Tripod
- NO Head, 169cm Max, 11cm Min, 64cm Folded, 2.0kg
| 055MF3 055 MAG FIBER TRIPOD 3 SCT |
| |
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Advantages:
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broad working height range from very low to very high |
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very flexible camera positioning |
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versatile product for all-round use |
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world-wide spares and service back-up |
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SUITABLE FOR:
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SLR cameras with short and/or light fixed-length lenses |
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SLR cameras with mid-long focal length lenses and zooms |
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spotting scopes and sport optics |
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outdoor use (protected against damp/cold and easy to transport on foot) |
|
 |
169.0 |
 |
black |
 |
2.00 |
 |
11.0 |
 |
64.0 |
 |
134.5 |
 |
7.00 |
Specifically designed for extreme outdoor assignments, this tripod uses the same construction as the 055PRO but uses different materials for the legs and all metal parts. Like the 055PRO, the 055MF3 has a three-faceted aluminum center column, which can offset the pressure of the locking system and the torsion caused while in the horizontal position. The legs are constructed of 1.2 mm carbon fiber tube combined with magnesium diecasting, quick-action lever locking collars made of magnesium die-casting. Each leg can be set independently in one of four angle settings using the dedicated quick-action leg angle selector. The top spider is made of magnesium die-casting, and includes the clamping system for the dual position center column plus a built-in bubble level. To assure the best thermal resistance, all parts has been assembled using a proven pressure clamping technology that eliminates failure-prone glue joints for greater durability and in-the-field serviceability. A hand-padded carrying strap, supplied with the tripod, can also operate like a hook to hang weights from in order to increase the stability of the tripod during shoots in extreme wind conditions. It is ideal support for all SLR analog/digital camera equipment, medium format cameras and spotting scopes modified for digiscoping applications. PATENTED ...
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leg sections use three-faceted tubing for greater anti-torsional resistance |
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anti-rotation tubing and leg collars make for a tripod (or monopod) that's easier and faster to open, position and close. Manfrotto uses several different types of anti-rotation system - on Magfiber and Digi series tripods, the ellipticalor three-faceted shape of the concentrictubes means they cannot rotate, while on round-tubed tripods small protrusions down the length of the tube keep sections perfectlyaligned |
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flip lever leg locks make opening, positioning and closing fast and easy. The tension of the locking mechanism is user-adjustable, and all partscan be easilyserviced or replaced. |
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split center column allows easy and fast ground-level work
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solid tripod/head plate has an industry standard 3/8" screw and three angled grub screws which stop the head from unscrewing accidentallyin use and also block unwanted panoramic rotation or play between tripod and head
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the built-in, carefully hand-set bubble spirit level helps make sure your horizons reallyare horizontal
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materials, design and construction techniques have been carefully selected to help save weight without sacrificing stability or strength |
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Manfrotto's carbon fiber tubing is popular among outdoor photographers because it's light in weight, but not everyone knows it's also more rigid and supports heavier loads than aluminum - giving it a double advantage. |
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lightweight magnesium is used for die-cast parts. Magnesium has a density of 1.74g/cm3 as opposed to aluminum's 2.70g/cm3 - a 35% reduction. Despite its lower weight, magnesium is more rigid than aluminum, and has the same strength per volume. |
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each of the legs can be set to a different angle of spread for more flexible, versatile positioning and to help keep camera equipment well-balanced over the tripod's center of gravity. |
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the patented PRO model has a unique design which allows the center column to be used horizontally as an extending arm, or vertically (both right-way-up and upside-down). When used horizontally, it can be turned through 360 around the tripod, and is useful for macro work, low angle shooting, extreme balance points and off-centre work. This also makes the tripod a helpful accessory for chair-bound photographers, who can sit beside instead of behind the tripod, therefore much closer to the camera viewfinder. |
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MagFiber tripods have three pre-set independent leg angles for positioning flexibility and good reach of all intermediate heights between the stated minimum and maximum levels The improved spring-loaded, easy to use step mechanism offers greater stability and security than the CarbonOne push-button system it replaces. |
| |
included carrying handle makes the tripod more comfortable to transport and stays conveniently and unobtrusively attached during use |
| closed length |
64.0 cm |
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| minimum height |
11.0 cm |
|
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| maximum height |
169.0 cm |
|
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| maximum height (with center column down) |
134.5 cm |
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| weight |
2.00 kg |
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| load capacity |
7.00 kg |
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| color |
black |
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| patent |
patented |
|
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| material |
carbon fiber tubing + magnesium castings |
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| leg cross section |
three-faceted |
|
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| column cross section |
three-faceted |
|
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| leg sections |
3 |
|
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| bubble spirit level (no) |
1 |
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| leg angles |
25, 64, 76, 90 |
|
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| centre column |
rapid |
|
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| section centre column |
2 |
|
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| column tube diameter |
28mm |
|
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| attachment |
3/8'' screw |
|
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| legs tube diameter |
29,2 , 24,8 , 20,4 mm |
|
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| suggested dolly |
127, 127VS |
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07/10
|
Hoya CLOSE UP +2 Filter - 55mm
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07/10
|
Hoya CLOSE UP +2 Filter - 52mm
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07/10
|
Hoya CLOSE UP +2 Filter - B50
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07/10
|
Hoya CLOSE UP +2 Filter - 49mm
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07/10
|
Hoya CLOSE UP +2 Filter - 48mm
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07/10
|
Manfrotto 055LAA Low Angle Adapter - for 055 Tripods
| 055LAA LOW ANGLE ADAPTER FOR 055D/CL |
 |
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0.0520 |
Low angle adapter to store at the bottom of the centre column when the tripod legs angle is set to 43, 73 and 90. 055LAA: compatible with the tripods code 055D, 055DB, 055CL, 055CLB and 055NAT3.
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| weight |
0.0520 kg |
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| color |
black |
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| material |
technopolymer |
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| column cross section |
three-faceted |
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| attachment (top) |
3/8'' screw |
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07/10
|
Hoya CLOSE UP +2 Filter - 46mm
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07/10
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Hoya CLOSE UP +2 Filter - 43mm
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07/10
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Hoya CLOSE UP +2 Filter - 35.5mm
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07/10
|
Hoya CLOSE UP +1 Filter - 72mm
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07/10
|
Hoya CLOSE UP +1 Filter - 67mm
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07/10
|
Hoya CLOSE UP +1 Filter - 62mm
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07/10
|
Hoya CLOSE UP +1 Filter - B50
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07/10
|
Hoya CLOSE UP +1 Filter - 49mm
|
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07/10
|
Hoya CLOSE UP +1 Filter - 48mm
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07/10
|
Hoya CLOSE UP +1 Filter - 46mm
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07/10
|
Hoya CLOSE UP +1 Filter - 43.5mm
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07/10
|
Hoya CLOSE UP +1 Filter - 43mm
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07/10
|
Hoya CLOSE UP +1 Filter - 40.5mm
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07/10
|
Hoya CLOSE UP +1 Filter - 35.5mm
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07/10
|
Hoya Half ND4 Filter - 58mm Hoya Half ND4 Filter - 58mm
 One half of this filter is NDx4 Neutral Density and the other half is clear, with a soft boundary between the two. It is used to control bright/dark contrast, by reducing half the shot by 2 stops. Particularly useful in landscape photography, the rotating mount allows bright skies to be easily controlled for dramatic effect.
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07/10
|
Hoya Half ND4 Filter - 55mm Hoya Half ND4 Filter - 55mm
 One half of this filter is NDx4 Neutral Density and the other half is clear, with a soft boundary between the two. It is used to control bright/dark contrast, by reducing half the shot by 2 stops. Particularly useful in landscape photography, the rotating mount allows bright skies to be easily controlled for dramatic effect.
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07/10
|
Hoya Half ND4 Filter - 52mm Hoya Half ND4 Filter - 52mm
 One half of this filter is NDx4 Neutral Density and the other half is clear, with a soft boundary between the two. It is used to control bright/dark contrast, by reducing half the shot by 2 stops. Particularly useful in landscape photography, the rotating mount allows bright skies to be easily controlled for dramatic effect.
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07/10
|
Hoya FLUORESCENT FLW Filter - 82mm Hoya FLUORESCENT FLW Filter - 82mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
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FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 77mm Hoya FLUORESCENT FLW Filter - 77mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
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FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 72mm Hoya FLUORESCENT FLW Filter - 72mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
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FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 67mm Hoya FLUORESCENT FLW Filter - 67mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
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FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 62mm Hoya FLUORESCENT FLW Filter - 62mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 58mm Hoya FLUORESCENT FLW Filter - 58mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 55mm Hoya FLUORESCENT FLW Filter - 55mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
07/10
|
Hoya FLUORESCENT FLW Filter - 52mm Hoya FLUORESCENT FLW Filter - 52mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
07/10
|
Hoya FLUORESCENT FLW Filter - 49mm Hoya FLUORESCENT FLW Filter - 49mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 48mm Hoya FLUORESCENT FLW Filter - 48mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 46mm Hoya FLUORESCENT FLW Filter - 46mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 43.5mm Hoya FLUORESCENT FLW Filter - 43.5mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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|
07/10
|
Hoya FLUORESCENT FLW Filter - 43mm Hoya FLUORESCENT FLW Filter - 43mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLW Filter - 40.5mm Hoya FLUORESCENT FLW Filter - 40.5mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya FLUORESCENT FLD Filter - 86mm Hoya FLUORESCENT FLD Filter - 86mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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|
07/10
|
Hoya FLUORESCENT FLD Filter - 82mm Hoya FLUORESCENT FLD Filter - 82mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 77mm Hoya FLUORESCENT FLD Filter - 77mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
07/10
|
Hoya FLUORESCENT FLD Filter - 72mm Hoya FLUORESCENT FLD Filter - 72mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 67mm Hoya FLUORESCENT FLD Filter - 67mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 62mm Hoya FLUORESCENT FLD Filter - 62mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 58mm Hoya FLUORESCENT FLD Filter - 58mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 55mm Hoya 55mm FLUORESCENT FLD Filter
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 52mm Hoya FLUORESCENT FLD Filter - 52mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 49mm Hoya FLUORESCENT FLD Filter - 49mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 48mm Hoya FLUORESCENT FLD Filter - 48mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 46mm Hoya FLUORESCENT FLD Filter - 46mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 43.5mm Hoya FLUORESCENT FLD Filter - 43.5mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
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|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 43mm Hoya FLUORESCENT FLD Filter - 43mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
|
|
|
|
|
07/10
|
Hoya FLUORESCENT FLD Filter - 40.5mm Hoya FLUORESCENT FLD Filter - 40.5mm
 Used to correct the greenish tone that appears when daylight type films are used under fluorescent lighting.
FL-W is for use with warm white or white type fluo-rescent lamps.
|
 |
FL-DAY is for use with daylight type fluorescent lamps.
It is recommended that auxiliary light sources be used when long exposures become necessary due to insufficient light.
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07/10
|
Hoya Yellow Green X0 Filter - 86mm Hoya Yellow Green X0 Filter - 86mm
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07/10
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Hoya Yellow Green X0 Filter - 82mm Hoya Yellow Green X0 Filter - 82mm
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07/10
|
Hoya Yellow Green X0 Filter - 77mm Hoya Yellow Green X0 Filter - 77mm
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07/10
|
Hoya Yellow Green X0 Filter - 72mm Hoya Yellow Green X0 Filter - 72mm
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07/10
|
Hoya Yellow Green X0 Filter - 67mm Hoya Yellow Green X0 Filter - 67mm
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07/10
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Hoya Yellow Green X0 Filter - 62mm Hoya Yellow Green X0 Filter - 62mm
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07/10
|
Hoya Yellow Green X0 Filter - 58mm Hoya Yellow Green X0 Filter - 58mm
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07/10
|
Hoya Yellow Green X0 Filter - 55mm Hoya Yellow Green X0 Filter - 55mm
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07/10
|
Hoya Yellow Green X0 Filter - 52mm Hoya Yellow Green X0 Filter - 52mm
|
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07/10
|
Hoya Yellow Green X0 Filter - B50 Hoya Yellow Green X0 Filter - B50
|
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07/10
|
Hoya Yellow Green X0 Filter - 49mm Hoya Yellow Green X0 Filter - 49mm
|
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07/10
|
Hoya Yellow Green X0 Filter - 48mm Hoya Yellow Green X0 Filter - 48mm
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07/10
|
Hoya Yellow Green X0 Filter - 46mm Hoya Yellow Green X0 Filter - 46mm
|
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07/10
|
Hoya Yellow Green X0 Filter - 43.5mm Hoya Yellow Green X0 Filter - 43.5mm
|
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07/10
|
Hoya Yellow Green X0 Filter - 43mm Hoya Yellow Green X0 Filter - 43mm
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07/10
|
Hoya Yellow Green X0 Filter - 40.5mm Hoya Yellow Green X0 Filter - 40.5mm
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07/10
|
Hoya Yellow Green X0 Filter - 35.5mm Hoya Yellow Green X0 Filter - 35.5mm
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Previous Page
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Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter. 
Great for correcting skin tones, bringing out facial expressions in close-ups and emphasizing the feeling of liveliness. X1 is highly effective for indoor portraits under tungsten lighting. 
FOR COLOR FILM:
