The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

The famous professional lens Rodenstock Imagon soft-focus produces beautifully softened portraits – but at the price of a whole lens. But for those photographers who only occasionally want to “soften” their shots and do not want to spend quite so much, the Rodenstock filter program also includes the high-grade Softar softeners from CARL ZEISS in the powers I and II. These soft focus filters are most effective with a short telephoto-lens (e. g. with a 35 mm camera with a focal length of around 85 or 105 mm) and with a larger aperture, from around f/2.8 to f/5.6.

 

 

 

 

With a brightness of 2,000 ANSI lumens and a light weight of 1.8kg, the CPX4 provides unmatched versatility with no sacrifice in performance. An SD slot supports both wireless connection and PC-less presentation. Additionally, the CPX4s wide-angle lens allows presenters to place the projector close to the screen, keeping obstruction of the image to a minimum. The CPX4 boasts XGA resolution and a contrast ratio of 500:1. Adding to the users convenience are advanced features exclusive to Hitachi projectors such as My Screen and My Button. A built-in 1W speaker means no need for external audio devices, while the projector itself maintains a low noise level of 29 dB in Whisper Mode. The CPX4 also addresses security concerns by offering a transition detector,PIN lock and My Screen PIN lock protection.

Key Features

 

Hitachi DT00873 Replacement Lamp - for CPX809