Nikon - SB-600

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

Canon - 580EX

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

Nikon - SB50 - 80DX

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

Canon 420 series

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

Canon 420 series

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

 

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

suits:

Sony - HVL F56AM

 

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

suits:

Nikon - SB28

Minolta - 3500xi

Nissin 34Di/AF 

 

 

The Omni-Bounce creates a Diffused Bare Bulb Effect.

Living even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)
The Omni-Bounce creates a Diffused Bare Bulb Effect. Giving even coverage across the entire frame, with lenses from 15mm to 200mm in the 35mm format. (And equal in other formats as well.)

 

 

The Omni-Bounce is easy to use and goes onto and off of your flash in seconds with custom fitting, except UNI, and No Velcro.

 

 Designed for years of service with out the bulk of some other Diffusers, it is small enough to fit easily into your gadget bag or pocket. 

How the Sto-Fen Omni works!

 

 

 

  
Photos WITHOUT and WITH the Sto-Fen OMNI-BOUNCE

Straight on Flash



With OMNI-BOUNCE on Flash

Technical Notes: The flash use was the Vivitar 283 mounted on the hot shoe of the camera.

The camera was on a tripod to maintain distance and position.

The film used was 100 ISO Color negative.

The lens used on a Nikon FE-2 was the 16mm f/2.8 Nikon full frame fisheye, (Which accounts for the curvature of the image) that allows the true effect of the straight on flash to be seen.

The room is 30 feet wide and the Flash & Camera were ten feet from the fireplace.

Both shots were made with the Vivitar set on the Red Auto Mode at f/4. The OMNI shot had the flash head tilted to 45 degrees

 

Easy to Use!

Three steps and you're in business. Easy to use for everyone from the novice to professional.

• Guide No. 62 (ISO200 at 105mm)
• Bounce / Power Zoom head
• eTTL/eTTL2 for Canon
• iTTL for Nikon
• Active AF Assist light
• Wireless slave flash with power ratio
• Catchlight reflector and wide angle (20mm) diffuser built-in
• 6 second recycle time

Three steps and you're in business. Easy to use for everyone from the novice to professional.

• Guide No. 62 (ISO200 at 105mm)
• Bounce / Power Zoom head
• eTTL/eTTL2 for Canon
• Active AF Assist light
• Wireless slave flash with power ratio
• Catchlight reflector and wide angle (20mm) diffuser built-in
• 6 second recycle time

 

Latest TTL metering technology
- iTTL for Nikon

Lens Cleaner

Green Clean® LENS CLEANER is the perfect solution: Consisting of both a wet and a dry special fleece cloth, packed in duo-sachets. The quality of the cloth used is decisive for the effectiveness of the cleaning agent.

 

The damp cloth is soaked with a solution exactly and specially developed for use on the surface tension of High-Tech coated lenses. Use of the wet-cloth enables you to deal with all difficult forms of surface contamination whereby at the same time giving anti-static treatment.

The advantages of welded individual sachets:
• Handling is safe, clean and simple
• Handling is safe, clean and simple
• No drying out

SC-4070 Sensor Cleaning System

WET & DRY are pre-soaked, individually sealed applicators - manufactured under cleanroom requirements.

Correct fluid content with Wet Foam Swab - an essential aspect of safe application. The special pre-treatment of our DRY SWEEPER guarantees
stripe free cleaning!

Wet Foam is:
• Grime solvent
• Non-toxic
• Non-inflammable
• No over-dosage
• No spilling of solvent
• Dissolves grime smudges
• Safe handling

Dry Sweeper - used directly after Wet Foam application, in order to lift off the dissolved grime. The DuPont material is wound around the Green Clean spatula and at the same time fixed.

• Highly absorbent
• Fluff-free
• The extended edges of the cloth allow optimum cleansing of the sensor corners
• Pre-soaked cloth guarantees stripe-free cleaning

SC-4060 Sensor Cleaning System

WET & DRY are pre-soaked, individually sealed applicators - manufactured under cleanroom requirements.

Correct fluid content with Wet Foam Swab - an essential aspect of safe application. The special pre-treatment of our DRY SWEEPER guarantees
stripe free cleaning!

Wet Foam is:
• Grime solvent
• Non-toxic
• Non-inflammable
• No over-dosage
• No spilling of solvent
• Dissolves grime smudges
• Safe handling

Dry Sweeper - used directly after Wet Foam application, in order to lift off the dissolved grime. The DuPont material is wound around the Green Clean spatula and at the same time fixed.

• Highly absorbent
• Fluff-free
• The extended edges of the cloth allow optimum cleansing of the sensor corners
• Pre-soaked cloth guarantees stripe-free cleaning

 

This one-way tube was especially designed for use on digital reflex cameras.

The material used is abrasion-free and non-conductive. The end piece of the plastic component has been designed in a trumpet-shaped form and fitted with a crank for better handling. Any unforeseen contact with the sensor leaves no residue, as no softeners are used.

 

The material is thermo-plastically formed and produced under Cleanroom requirements. The sterile units are individually packed in order to avoid contamination.

The crank enables an exact positioning of the tube, at the same time leaving the access to the camera shaft free for inspection. Even under static electricity charging even the most resistant particles can be lifted off.

 

 

Contents:
1 x G-2051 HI Tech 400 ml
1 x V-3000 Mini Vacuum
3 x SC-4050 Pick Up drain tube
3 x SC-4060 Wet & Dry Sachets full frame size

SENSOR CLEANING SYSTEM for digital reflex CCD and CMOS cameras.

Removes all forms of contamination: loose forms are lifted off, grimy forms are dissolved / dry polishing.
• Safe process due to contact- and residue-free application
• No compression and transportation of dirt particles
• No direct gas contact
• High performance suction action guarantees gentle lifting off of the loose particles, even when confronted with the resistance of the static charging inside the camera
• Economical: In fact the main percentage of contamination is loose and can therefore be removed with the MINI Vacuum
• HI TECH pressurized gas is especially strong, stabile and productive thus resulting in the most economical method of sensor cleaning.
• Effective as the dust is removed from the camera shaft and the objective

Importantly - Wet & Dry are available in two widths!!
Select the correct size, for full frame size sensor or non full frame size sensor.

 

 

Contents:
1 x G-2051 HI Tech 400 ml
1 x V-3000 Mini Vacuum
3 x SC-4050 Pick Up Tube
3 x SC-4070 Wet & Dry Sachets non full frame size

SENSOR CLEANING SYSTEM for digital reflex CCD and CMOS cameras.

Removes all forms of contamination: loose forms are lifted off, grimy forms are dissolved / dry polishing.
• Safe process due to contact- and residue-free application
• No compression and transportation of dirt particles
• No direct gas contact
• High performance suction action guarantees gentle lifting off of the loose particles, even when confronted with the resistance of the static charging inside the camera
• Economical: In fact the main percentage of contamination is loose and can therefore be removed with the MINI Vacuum
• HI TECH pressurized gas is especially strong, stabile and productive thus resulting in the most economical method of sensor cleaning.
• Effective as the dust is removed from the camera shaft and the objective

Importantly - Wet & Dry are available in two widths!!
Select the correct size, for full frame size sensor or non full frame size sensor.

 

 

AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED (11.1x)

• Offers the broad 18-200mm focal range (11.1x zoom) for use in a variety of situations (equivalent to a 27-300mm lens in 35mm format)
  
• Enhanced Vibration Reduction (VRII) offers the equivalent of using a shutter speed 4 stops faster
  
• Two ED glass and three aspherical lens elements
  
• Incorporates a compact SWM (Silent Wave Motor) for quiet focusing
  
• Enables focusing from as close as 50cm (20 in.) from the subject through its entire focal range
  
• M/A mode for rapid switching between autofocus and manual focus operation
  
• Seven-blade rounded diaphragm opening

Quickcam IM

PVC CD Sleeve (Pack Of 100)