Camerafarm product archive #39792
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12/12
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Rodenstock UV-Filter - 39mm Rodenstock UV-Filter - 39mm
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12/12
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Rodenstock UV-Filter - 37mm Rodenstock UV-Filter - 37mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 31mm Rodenstock UV-Filter - 31mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 30mm Rodenstock UV-Filter - 30mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 28mm Rodenstock UV-Filter - 28mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 27mm Rodenstock UV-Filter - 27mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 127mm Rodenstock UV-Filter - 127mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 112mm Rodenstock UV-Filter - 112mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 105mm Rodenstock UV-Filter - 105mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock UV-Filter - 100mm Rodenstock UV-Filter - 100mm
UV blocking filters and UV/IR blocking filters
These glass filters are practically neutral in color effect. They transmit visible light without hindrance while cutting out ultra-violet (UV) radiation. UV/IR filters block infrared radiation, too. Due to the short wavelength, UV is highly scattered and has a high intensity in hazy conditions as diffuse radiation. A color film reacts with a blue-violet veil, while b&w film gives the sky a brighter look, thus reduces the contrast of the clouds against the sky and makes distance views pale.
Whilst under normal conditions, UV absorption of the glass of multi-elements lenses is sufficient to prevent the bluish cast and loss in contrast caused by the weak UV radiation, in the high mountain regions and at the sea, the intensity of the UV radiation may be so strong that UV blocking filters are needed.
With a UV filter in front of the lens, especially warm colors like yellow, orange and red remain pure and distance views become clearer and crisper. Because of the almost imperceptible absorption within the visible wavelength range, you do not need to extend the exposure time or to set a larger aperture.
Thanks to its totally neutral color rendition a UV blocking filter can also be used as a lens protection, e.g. against salt water splashes, wind-borne sand or even finger-prints.
UV/IR blocking filters have been specially designed for digital or video cameras. They filter UV as well as infrared (IR) radiation which, due to the high IR sensitivity of CCDs, can lead to reddish color shift, fogging and blur (because normal camera lenses are not color corrected for the long IR wavelengths).
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12/12
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Rodenstock HR Digital UV-Filter - 82mm Rodenstock HR Digital UV-Filter - 82mm
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12/12
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Rodenstock HR Digital UV-Filter - 77mm Rodenstock HR Digital UV-Filter - 77mm
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12/12
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Rodenstock HR Digital UV-Filter - 72mm Rodenstock HR Digital UV-Filter - 72mm
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12/12
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Rodenstock HR Digital UV-Filter - 67mm Rodenstock HR Digital UV-Filter - 67mm
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12/12
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Rodenstock HR Digital UV-Filter - 62mm Rodenstock HR Digital UV-Filter - 62mm
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12/12
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Rodenstock HR Digital UV-Filter - 58mm Rodenstock HR Digital UV-Filter - 58mm
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12/12
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Rodenstock HR Digital UV-Filter - 55mm Rodenstock HR Digital UV-Filter - 55mm
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12/12
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Rodenstock HR Digital UV-Filter - 52mm Rodenstock HR Digital UV-Filter - 52mm
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12/12
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Rodenstock HR Digital UV-Filter - 49mm Rodenstock HR Digital UV-Filter - 49mm
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12/12
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Brother LC-67BK Ink Cartridge - Black, 450 Pages - For DCP-385C/DCP-395CN - 2 Pack Brother LC-67BK Ink Cartridge - Black, 450 Pages - for DCP-385C, 2-Pack
The Black ink cartridge yield is up to 450 pages @ 600 x 150 dpi in accordance with ISO 24711. Specifications
- Description: Black Ink Cartridge
- Yield: 450 pagesBlack @600 x 150 dpi
- Printer compatibility: DCP-385C
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12/12
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Nikon Laser 400 Rangefinder - Metallic Black
- Clear optics, adjustable diopter, 8x magnification, 20mm objective lens, and 330 foot field of view Nikon Laser 400 Rangefinder - Metallic Black
Nikon's Laser400 may be one of the smallest rangefinders on the market, but its outstanding performance makes it an ideal for bow hunting and rifle hunters. Enclosed in a compact and water-resistant design, the Laser400 measures distances out to 100 yards with an accuracy of half a yard and from 100 to 437 yards with one-yard accuracy. Its bright, clear optics, adjustable diopter, 8x magnification, 20mm objective lens, and 330 foot field of view ensures the best imaging possible.
The rangefinder also has two modes of operation--standard and rain--to adjust optimally to the environment. At only 7 ounces the Laser400 is a powerful tool in a small package.
The Laser 400 is an ultra compact, water resistance and lightweight rangefinder. The user will be able to measure reflectorless distances of up to 400 meter. The results are displayed in the viewfinder in either meters or yards. Distances are displayed with a resolution of up to 0.5 meters. The auto power-off feature reduces battery consumption and allows up to 6000 measurements with just a single CR-2 battery. From surveying and construction to golfing and sailing, the Laser 400 is used in a wide range of applications.
Technical Details
- Half-yard accuracy out to 100 yards, one-yard accuracy out to 437 yards
- Compact and water-resistant design
- Bright, multicoated 8x optics
- Multiple operating modes
- Quick, convenient operating controls
NOTE: Lithium battery sold separately.
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12/12
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Nikon Laser 400 Rangefinder - Silver
- Clear optics, adjustable diopter, 8x magnification, 20mm objective lens, and 330 foot field of view Nikon Laser 400 Rangefinder - Silver
Nikon's Laser400 may be one of the smallest rangefinders on the market, but its outstanding performance makes it an ideal for bow hunting and rifle hunters. Enclosed in a compact and water-resistant design, the Laser400 measures distances out to 100 yards with an accuracy of half a yard and from 100 to 437 yards with one-yard accuracy. Its bright, clear optics, adjustable diopter, 8x magnification, 20mm objective lens, and 330 foot field of view ensures the best imaging possible.
The rangefinder also has two modes of operation--standard and rain--to adjust optimally to the environment. At only 7 ounces the Laser400 is a powerful tool in a small package.
The Laser 400 is an ultra compact, water resistance and lightweight rangefinder. The user will be able to measure reflectorless distances of up to 400 meter. The results are displayed in the viewfinder in either meters or yards. Distances are displayed with a resolution of up to 0.5 meters. The auto power-off feature reduces battery consumption and allows up to 6000 measurements with just a single CR-2 battery. From surveying and construction to golfing and sailing, the Laser 400 is used in a wide range of applications.
Technical Details
- Half-yard accuracy out to 100 yards, one-yard accuracy out to 437 yards
- Compact and water-resistant design
- Bright, multicoated 8x optics
- Multiple operating modes
- Quick, convenient operating controls
NOTE: Lithium battery sold separately.
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12/12
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Nikon Capture NX2 Upgrade Software (From Capture NX) Capture NX2 Upgrade Software (From Capture NX)
Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which are immediately visible on your monitor. Simply place the Control Point on the area that you want to edit and U Point Technology will analyze color elements such as hue, saturation and brightness, as well as recognize similar areas where an edit would best be applied. This technology powers the entire Capture NX 2 series of Control Points: Color Control Points, the all-new Selection Control Points, White/Black/Neutral Control Points and Red-Eye Control Points. With Capture NX 2, theres no need to deal with selection tools, layers or lengthy training. Main Features
Color Control Point:
Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of the sliders. For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage.
Four Color Control Points were used to adjust color and brightness of various elements independently within the frame.
Two Color Control Points were used to enhance color and brightness of flower petals and the background.
Selection Control Point:
This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse. There is no need for precision selection or masks the Selection Control Point recognizes the areas you want to modify. The enhancement effect can easily be adjusted, allowing you to apply your chosen effect as you would with intuitive masking.
D-Lighting brightens the shadow areas, and Selection Control Point applies the effect only to the bright subjects and their surroundings seen through the opening between foliage and water.
Tone Curve adjusts the brightness and contrast, and Selection Control Point applies the effect only to the man and his surroundings.
Auto Retouch Brush:
To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones. This can also be used to remove facial blemishes, imperfections on flowers, or other unwanted objects within the frame.
Shadow/Highlight Adjustments:
Using the slider at [Quick Fix], you can adjust shadows by [Shadow Adjust] and blown out highlights by [Highlight Adjust].
Workspaces:
Four workspaces are provided: Browser, Metadata, Multi-Purpose and Edit, and your window composition can be easily switched among them.
Quick Fix:
A combination of frequently used tools including [Level and Tone Curve], [Exposure Compensation], [Contrast], [Highlight Protection], [Shadow Protection] and [Saturation] in a single window.
Simultaneous opening of multiple settings:
You can open multiple image processing settings at the same time and make parallel process adjustments of multiple details.
Label/Rating support (XMP):
Supports nine kinds of labeling and five levels of ratings according to XMP, a metadata industry standard.
Functions to help you realize your desired results:
Straighten, Black/White Control Points, Neutral Control Points, Red-Eye Control Points, Selection Tools, Batch Processing, 16-bit Image Compatible, Vignette Control*, Auto Color Aberration Control*, Distortion Control Function*, Noise Reduction, Active D-Lighting (NEF only), D-Lighting, LCH Editor, Image Dust Off (NEF only), Fisheye Image Transformation, Color Booster Function, Color Management, Highlight/Shadow Display, Picture Control Compatibility (NEF only)
* Can be applied to images captured by Nikon SLR cameras with a D/G type lens.
Capture NX 2 System Requirements
[Windows]
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OS
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Pre-installed versions of 32-bit Windows Vista Home Basic /Home Premium /Business /Enterprise /Ultimate (Service Pack 1) editions or Windows XP Home or Professional (Service Pack 2) editions |
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Processor
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Pentium 4 or better |
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RAM (Memory)
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768 MB minimum (1 GB or more recommended) |
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Hard-disk space
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200 MB required for installation |
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Monitor resolution
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1,024 x 768 pixels or higher (1,280 x 1,024 pixels or higher recommended) with 16-bit color or more (32-bit color recommended) |
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Others
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CD-ROM drive required for installation
Internet connection required to utilize Nikon Message Center
Environment for recognizing operation-guaranteed memory cards required to import/export Custom Picture Controls |
[Macintosh]
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OS
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Macintosh OS X (version 10.4.11, 10.5.2)
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Processor
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PowerPC G4, PowerPC G5, Intel Core Duo, Intel Core 2 Duo, Intel Xeon, or better |
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RAM (Memory)
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768 MB minimum (1 GB or more recommended) |
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Hard-disk space
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200 MB required for installation |
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Monitor resolution
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1,024 x 768 pixels or higher (1,280 x 1,024 pixels or higher recommended) with 64,000 colors or more (16.7 million colors or more recommended) |
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Others
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CD-ROM drive required for installation
Internet connection required to use Nikon Message Center
Environment for recognizing operation-guaranteed memory cards required to import/export Custom Picture Controls |
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12/12
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Nikon Capture NX2 Software
- Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which areCapture NX 2 easy-to-use software lets you make intuitive photo enhancements Nikon Capture NX2
Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which are immediately visible on your monitor. Simply place the Control Point on the area that you want to edit and U Point Technology will analyze color elements such as hue, saturation and brightness, as well as recognize similar areas where an edit would best be applied. This technology powers the entire Capture NX 2 series of Control Points: Color Control Points, the all-new Selection Control Points, White/Black/Neutral Control Points and Red-Eye Control Points. With Capture NX 2, theres no need to deal with selection tools, layers or lengthy training. Main Features
Color Control Point:
Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of the sliders. For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage.
Four Color Control Points were used to adjust color and brightness of various elements independently within the frame.
Two Color Control Points were used to enhance color and brightness of flower petals and the background.
Selection Control Point:
This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse. There is no need for precision selection or masks the Selection Control Point recognizes the areas you want to modify. The enhancement effect can easily be adjusted, allowing you to apply your chosen effect as you would with intuitive masking.
D-Lighting brightens the shadow areas, and Selection Control Point applies the effect only to the bright subjects and their surroundings seen through the opening between foliage and water.
Tone Curve adjusts the brightness and contrast, and Selection Control Point applies the effect only to the man and his surroundings.
Auto Retouch Brush:
To simply achieve more natural-looking results, Auto Retouch Brush lets you remove dust spots on an image using a mouse click and stroke to match the surrounding color and tones. This can also be used to remove facial blemishes, imperfections on flowers, or other unwanted objects within the frame.
Shadow/Highlight Adjustments:
Using the slider at [Quick Fix], you can adjust shadows by [Shadow Adjust] and blown out highlights by [Highlight Adjust].
Workspaces:
Four workspaces are provided: Browser, Metadata, Multi-Purpose and Edit, and your window composition can be easily switched among them.
Quick Fix:
A combination of frequently used tools including [Level and Tone Curve], [Exposure Compensation], [Contrast], [Highlight Protection], [Shadow Protection] and [Saturation] in a single window.
Simultaneous opening of multiple settings:
You can open multiple image processing settings at the same time and make parallel process adjustments of multiple details.
Label/Rating support (XMP):
Supports nine kinds of labeling and five levels of ratings according to XMP, a metadata industry standard.
Functions to help you realize your desired results:
Straighten, Black/White Control Points, Neutral Control Points, Red-Eye Control Points, Selection Tools, Batch Processing, 16-bit Image Compatible, Vignette Control*, Auto Color Aberration Control*, Distortion Control Function*, Noise Reduction, Active D-Lighting (NEF only), D-Lighting, LCH Editor, Image Dust Off (NEF only), Fisheye Image Transformation, Color Booster Function, Color Management, Highlight/Shadow Display, Picture Control Compatibility (NEF only)
* Can be applied to images captured by Nikon SLR cameras with a D/G type lens.
Capture NX 2 System Requirements
[Windows]
|
|
|
OS
|
|
Pre-installed versions of 32-bit Windows Vista Home Basic /Home Premium /Business /Enterprise /Ultimate (Service Pack 1) editions or Windows XP Home or Professional (Service Pack 2) editions |
|
Processor
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Pentium 4 or better |
|
RAM (Memory)
|
|
768 MB minimum (1 GB or more recommended) |
|
Hard-disk space
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|
200 MB required for installation |
|
Monitor resolution
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|
1,024 x 768 pixels or higher (1,280 x 1,024 pixels or higher recommended) with 16-bit color or more (32-bit color recommended) |
|
Others
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|
CD-ROM drive required for installation
Internet connection required to utilize Nikon Message Center
Environment for recognizing operation-guaranteed memory cards required to import/export Custom Picture Controls |
[Macintosh]
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|
OS
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Macintosh OS X (version 10.4.11, 10.5.2)
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Processor
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PowerPC G4, PowerPC G5, Intel Core Duo, Intel Core 2 Duo, Intel Xeon, or better |
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RAM (Memory)
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768 MB minimum (1 GB or more recommended) |
|
Hard-disk space
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|
200 MB required for installation |
|
Monitor resolution
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1,024 x 768 pixels or higher (1,280 x 1,024 pixels or higher recommended) with 64,000 colors or more (16.7 million colors or more recommended) |
|
Others
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|
CD-ROM drive required for installation
Internet connection required to use Nikon Message Center
Environment for recognizing operation-guaranteed memory cards required to import/export Custom Picture Controls |
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12/12
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Nikon Focusing Screen V for D2XFocusing Screen V for D2X
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